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Mary: A Fiction : ウィキペディア英語版
Mary: A Fiction

''Mary: A Fiction'' is the only complete novel by the 18th-century British feminist Mary Wollstonecraft. It tells the tragic story of a heroine's successive "romantic friendships"〔Wollstonecraft, ''Mary'' (Kelly), 20.〕 with a woman and a man. Composed while Wollstonecraft was a governess in Ireland, the novel was published in 1788 shortly after her summary dismissal and her momentous decision to embark on a writing career, a precarious and disreputable profession for women in 18th-century Britain.〔Wardle, 110.〕
Inspired by Jean-Jacques Rousseau's idea that geniuses are self-taught,〔Kelly, ''Revolutionary Feminism'', 41–42; Sapiro, 14; Hoeveler, 33; Todd, ''A Revolutionary Life'', 111.〕 Wollstonecraft chose a rational, self-taught heroine, Mary, as the central character of her novel. Helping to redefine ''genius'' (a word which at the end of the 18th century was only beginning to take on its modern meaning of exceptional or brilliant), Wollstonecraft describes Mary as independent and capable of defining femininity and marriage for herself.〔Elfenbein, 236–38.〕 It is Mary's "strong, original opinions" and her resistance to "conventional wisdom" that mark her as a genius. Making her heroine a genius allowed Wollstonecraft to criticize marriage as well: geniuses were "enchained" rather than enriched by marriage.〔
Through this heroine Wollstonecraft also critiques 18th-century sensibility and its damaging effects on women. ''Mary'' rewrites the traditional romance plot through its reimagination of gender relations and female sexuality. Yet, because Wollstonecraft employs the genre of sentimentalism to critique sentimentalism itself, her "fiction", as she labels it, sometimes reflects the same flaws of sentimentalism that she is attempting to expose.
Wollstonecraft later repudiated ''Mary'', writing that it was laughable.〔Johnson, ''Equivocal Beings'', 48.〕 However, scholars have argued that, despite its faults, the novel's representation of an energetic, unconventional, opinionated, rational, female genius (the first of its kind in English literature) within a new kind of romance is an important development in the history of the novel because it helped shape an emerging feminist discourse.
==Plot summary==
''Mary'' begins with a description of the conventional and loveless marriage between the heroine's mother and father. Eliza, Mary's mother, is obsessed with novels, rarely considers anyone but herself, and favours Mary's brother. She neglects her daughter, who educates herself using only books and the natural world. Ignored by her family, Mary devotes much of her time to charity. When her brother suddenly dies, leaving Mary heir to the family's fortune, her mother finally takes an interest in her; she is taught "accomplishments", such as dancing, that will attract suitors. However, Mary's mother soon sickens and requests on her deathbed that Mary wed Charles, a wealthy man she has never met. Stunned and unable to refuse, Mary agrees. Immediately after the ceremony, Charles departs for the Continent.
To escape a family who does not share her values, Mary befriends Ann, a local girl who educates her still further. Mary becomes quite attached to Ann who is in the grip of an unrequited love and does not reciprocate Mary's feelings. Ann's family falls into poverty and is on the brink of losing their home, but Mary is able to pay off their debts after her marriage to Charles gives her limited control over her money.
Ann becomes consumptive and Mary travels with her to Lisbon in hopes of nursing her back to health. There they are introduced to Henry, who is also trying to regain his health. Ann dies and Mary is grief-stricken. Henry and Mary subsequently fall in love but are forced to return to England separately. Mary, depressed by her marriage to Charles and bereft of both Ann and Henry, remains unsettled, until she hears that Henry's consumption has worsened. She rushes to his side and cares for him until he dies.
At the end of the novel, Charles returns from Europe; he and Mary establish something of a life together, but Mary is unhealthy and can barely stand to be in the same room with her husband; the last few lines of the novel imply that she will die young.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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